Erupted Citadel with Freedman Fitzpatrick at Statements, Art Basel, Basel, 2019

Erupted Citadel stages painting via an installation made with materials salvaged from a demolished house in Los Angeles. The skeletal frames of former walls, old windows, doors, a broken sink, exposed plumbing, etc., have been re-assembled on site to become a frame for narrative tropes. Whose images are these? This is a fictional memory of an evicted homestead, with new paintings haunting these ruins and offering anachronic clues about its lost history.

































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